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Welcome to my blog, where I share stories, writing tips, inspiration, research, and whatever else sparks joy. Here, you'll find a little bit of everything from behind-the-scenes of my writing life to creative resources and random musings.

Now that I'm getting closer to the first book in my adult fantasy series being published, I wanted to start sharing more and more about the processes I took in writing the series. Things like where I got my ideas from, who my characters are, perhaps some snippets ... I'll start with writing about what it's like writing an adult fantasy series. The actual writing side, not the whole publishing, editing, whatever journey.


Just the writing part.


Writing a book is such a mixture of experiences. It's really fun, and I love it, and I can't think of anything else I want to do with my life more than just writing loads and loads and loads of books. Watch this space. It'll happen. I have so many ideas in my head, and I can't write fast enough. They're piling up.


It's also challenging. Of course it's a challenge. Especially adult fantasy books. They're huge! And it's a marathon, not a sprint.


So, I hope today I can share a little bit about what it's like writing an adult fantasy series. Or, at least my experience of it so far.

What it's like writing an adult fantasy series Ren Kassa
Ready to write an adult fantasy series!

Writing book 1 of my adult fantasy series

Much like you'll read in the 'book 3' section, parts of this book were written before. But, again, a lot was missing (try a whole plot). I had the characters in mind and some snippets of what they went through, but nothing worked quite well enough. So, I did what any INTJ does best: I mooched over it for ages until it felt right.


I want to write a whole blog about where I got the plot idea and the characters' wants and drivers, but to sum it up quickly, everything clicked into place when I found out the 'why'. For me, I find writing with 'what if's and 'why' questions works best. And then, I just started drafting it bit by bit.


There's a good lesson to not look back when you're writing. This is where I failed in all my attempts to write pre this book. I just kept trying to edit as I went. Not this time. After reading Stephen King's On Writing, where he said the first draft is just to help the writer tell themself the story and to write until you finish it and not look back, that's what I did. And yes, it was tough to get into, but once I got into that habit, I found myself writing better, smoother, and faster than before.


Was the first draft still awful? Yup! No-one is ever, ever going to see it (okay, I showed my dad, because I needed to know whether it was even a thing worth continuing--even just the general concept), but other than that, we can flush that evidence and continue with the rewrites.

What it's like writing an adult fantasy series Ren Kassa
What we do with our first book drafts ...

First draft done, then I let it sit for a few months.


By the time I came back to it, scanning through it and rewriting was really interesting. I'd never worked with this process before, and so it was intriguing how I tweaked parts in the rewrite and made things come more to life. The characters were more real this way as I'd not stopped to edit things and made them stilted, and I found the characters almost wrote through me.


Characters I'd never even planned came into the story, and those I planned for somehow ended up in different scenarios, some shocking, even. But, it worked out for the best. Quick first draft writing and then rewriting is THE writing method I go for now, even if it was hard to learn with this first book!


Writing book 2 of my adult fantasy series

With the knowledge of how to best write a book (first draft all the way through, no looking back, then let it sit for a bit, then rewrite it), I immediately launched into book 2. I'd never planned for this book. It was originally just going to be a two-book series. But, this one came naturally. So, I followed my creative genie and kept going.


Book 1 follows a female MC (Yoshiko) with a male secondary character (Gora). But as I wrote, Gora became such a key part of the story, they're almost, almost, equal MCs at this point. But not quite. However, I found Gora's goal changed, and an unresolved part of his past rose up through the events of book 1 that meant he needed to go on an adventure of his own. It must have been meant to be, because the plot of book 2, which happened almost naturally, flows perfectly into book 3. Without book 2, it would have been a clumsy join. Thanks, Gora, for being the link I needed. No wonder you're my fav!


As I mentioned above, starting book 2 flowed really well. But, somewhere along the way, for some reason, I stopped writing. I think I may have got too focused on moving house and then sorting out my visa that I stopped writing. Then, the time to edit book 1 came, so by the time I came back to writing book 2, I'd totally lost the flow. It took so long to get back into it that I actually felt disappointed in myself for stopping. But, life gets in the way. I thought that with such a good flow to this book, I'd never lose it, even if I had to stop writing it for a bit. Now I know I did, I'm always going to ensure that each 'phase' of a certain book (writing, rewriting, or a flush of editing) gets done in one go without pause. As much as I can.


I'm finally back into the flow of writing this one, and I've taken a few days off work to sit and just work on it all day too. I'm so close to the end, and parts of the story are coming naturally again. It was really challenging to lose the flow, but I learned how I write best.


By creating a writing habit.


I get up early before work most days. It used to be 4:30, but I wanted to give myself just a little bit more writing time, so I now get up at 4:00.


Sounds crazy, but it's what I need to do to keep my own writing going. I'm too tired after work. You only have a certain amount of creativity, decision making, and willpower in a day. You use it up throughout the day, and by the evening, you're running low. I know I didn't do my best writing then, so I get up early to work while my creativity levels are full and fresh. It also built a great habit, and I got used to that time being just mine, no interruptions, just writing.


It's what helped me write the rest of book 2 even with working a full-time job. I don't have to choose one life or the other. I really do get both.



Writing book 3 of my adult fantasy series

Funnily enough, this is actually the story I started writing first. It was a stand-alone book, and I wasn't happy with how it sounded. For one, it sounded really juvenile, and my main character was really flat. She turned out to be just like every other female lead in fantasy, and that bored me. I knew what I wanted her to be like, but I couldn't write her as I wanted to, and I couldn't write the book as I wanted to. Something was missing, so I set it aside for a bit, and it turned into ... *quickly mentally calculates the years* ... wow, eight years until I felt I was ready to touch it again.


But, this turned out to be the best thing I could have done for this story and my writing. I went out and got life experience. I moved to the other side of the world, lived and worked in two different countries, met loads more people, read loads more books, and mulled over the idea on and off, consciously or not, for that period. When I revisited it, I realised what was missing. The origin. It wasn't a stand-alone book, it was a series. And worst, it wasn't even the first book in the series. The whole 'explanation' part of it was missing, so of course it didn't work on its own. And, even more, my main character is wonderful now. She knows who she is, I know who she is, and important characters around her changed. I found the right people in my life, and she found the right people in hers (and the best wrong people, as the antagonist developed even more, too).


With this transformation, and the books ahead of it, I've planned it out again in detail, and I can't wait to start drafting it in this year's (2021) NaNoWriMo, which I'll use as a challenge and a prompt to get the first third or more done.


I'm so excited to be working on this book again, and I know it's got the right components now.

What it's like writing an adult fantasy series Ren Kassa
I officially shared my book 3 working title on Instagram!

There's a side book!

I mentioned above that book 2 came naturally due to one of my main character's personalities and goals coming to life so much that it forged a path to write another book. Well, it happened another way too. Gora, again, was so much fun to write and he has so much story to tell that I found my mind mulling over his life before the series.


I believe writing stories is all about telling the story of a character. It's very character-driven, and if you follow a character's goals and desires enough, you'll have a good plot to accompany them.


This certainly was the case with Gora, and as much as I also adore Yoshiko (who also got a side book, but a kids' book--see My Best Friend is a Dragon here on my main website page, another book coming next year, 2022), Gora's past had such torments and wild adventures that I and others who had read snippets about him wanted a whole book about him and wanted to know about his past.


When beta readers ask for more, that's a great sign, and I followed them wholeheartedly on this one.


This book takes place before book 1, but doesn't necessarily fit the theme of the series, so I'm calling it a side book. When I'll write it, I'm not sure. Likely after book 3, unless I have a spurt of genius that smashes it all out while I'm also writing book 3.


Who knows. But it was an exciting adventure to even think of it.



Summing up what it's like writing an adult fantasy series

There really is nothing quite like writing a book series and watching how everything grows and plays together, and seeing how your skills grow with each new book you write.


Drafting book 2 was nowhere near as bad as book 1. I don't need to flush that evidence down the toilet, sorry Stitch. But, I will obviously still rewrite and edit it. However, to see the growth of a writer even over a series is really interesting, and I can't wait to share with you all each book in the series.


I hope you enjoy reading them as much as I enjoy writing them.



I finally get to share with you the news that I've finished reviewing my manuscript post manuscript appraisal, and it's now gone back to the team to see what they think. Over the last three months, I've been enhancing my manuscript based on the recommendations the editor gave me. Now that I've finished, I wanted to share with you how I approached my manuscript appraisal in the hopes it might show you a little bit more about what goes on when writing a book and the journey that's involved in bringing a book to life.


How I approached my manuscript appraisal edit for Dynasty Codes Book One
When you get a manuscript appraisal, sit back, relax, and just casually read through it all first.

What to do when you receive your manuscript appraisal (well, what I did)

Get a tea, sit back, relax, read the whole thing

The first thing I did when I got my manuscript appraisal back was make one of my favourite hot drinks, get comfy somewhere, and just sit and read the whole report. At this stage, I wasn't worrying about processing anything, making notes, or figuring out what I was going to action. It was just getting an idea of everything the editing team thought and an overall view of the whole thing. No worrying about all the work that was involved, no worrying about anything, in fact. It was really refreshing to get an idea of what a professional thought of my manuscript.


Analyse and group the feedback

I treat writing my books a little like business projects: planning, actioning, reviewing, updating, repeat. So, once I'd read the whole appraisal, I then went back to analyse and group the feedback I'd been given so I could identify the points to enhance it.


Turn the feedback into actionable lists

Once I'd analysed and grouped the feedback from my manuscript appraisal, I then wrote myself two types of actionable lists directly into the document I wrote my manuscript in. One was a list of everything that needed to be worked on throughout the manuscript, e.g. checking I had character descriptions in a logical place when we first met them, continued character descriptions throughout the book, revealing character thoughts on settings or economic details on the settings, ensuring character accents were strong throughout. Then, at the start of every chapter, I wrote little lists of things that were relevant for that particular chapter, e.g. revisit age of character here, why did this person do this thing here, and mention this bit earlier on too to add hints to this plot point.


Having these actionable lists (one to visit in the whole doc and one for me to review in each chapter) made it obvious the things I had to achieve before sending the manuscript back to the team.


How I approached my manuscript appraisal edit for Dynasty Codes Book One
Lists, lists, lists. So much to action. You'd not believe how many post-it notes I have ALL over my desk.

Time to action those lists! The adding stage.

Now that I had planned my approach to the appraisal and had my lists, I would read the overall points to make sure I had a clear understanding of what to add to the whole book, and then I worked chapter by chapter on the little lists I'd identified for that chapter. As I finished an item from that list, I deleted it. Thus I continued until the whole list was deleted from that chapter, and then I moved on. Now and then I'd leave one open if I wanted to revisit it and check it later at a time I'd do a run-through of the whole manuscript, but generally I was pretty good at finalising all the points before moving on.


It was a long process, but I did find it fun to run through the manuscript again chapter by chapter, sometimes taking it apart a lot, other times having to carefully decide where to insert details and rewording sections, other times just checking a few little details. I must admit it was really enjoyable to see chapters that had little to no direct points to action, so I was able to review it with just the 'overall' points I'd gathered for the whole manuscript.


I must admit, this part took a very long time! With only an hour or so each day to action it before work, sometimes being able to give myself time after work too, the days passed quickly, as did the weeks and months.


How I approached my manuscript appraisal edit for Dynasty Codes Book One
I loved how my friends sent me nerdy sword gifs when I was in the word cutting stage!

The read-through, tightening up, word count reduction, cutting, finalising

Once the weeks had flown by and I was sure I'd actioned all the points I'd identified and analysed from the editorial team from their appraisal, both from the list of overall points and ones specific to each chapter, I was finally ready to work through and tighten it up.


I work very much on the 'add absolutely everything and more and THEN go back through it and tighten it up and remove content'. That way, I can be sure that, hopefully, everything left is absolutely necessary and I'm not fighting to add content. I love overwriting and then cutting, and it was a LOT of cutting. I'd gone over my planned word count by tens of thousands, again, just like before the appraisal process, so I knew it would involve a lot of tweaking and fiddling.


Step one of the cutting stage was, of course, planning and analysing. I looked at the main plot points and which chapters were included in each plot point and figured out that each section had to be roughly the same word count to make it flow well. Then, I figured out how many words I had to cut from each section to make them similar in word count. THEN, I figured out how many words on average I had to cut from each chapter in that section. It was scary but less overwhelming than one huge, solid number. With it down to merely hundreds (or over a thousand in some cases) of words per chapter, I was ready to go.


Then, once again, I went through chapter by chapter, reading it and deciding any huge chunks that could go, being strict on 'does this go towards the overall story or plot?' It was hard, but it helped me cut huge chunks at times, like scenes or paragraphs. Then, I could look at a finer level, cutting sentences, cutting words, shifting sentences around to say the same thing but in a more refined, smooth way. I looked for repetition not just in words but in essence in sentences or paragraphs. Some times I reached my word cutting goal, others I sorely missed it, but I was positive that each decision I made was for the greater good of the overall book: anything I kept was for the benefit of the book, anything that wasn't kept didn't need to be there, and other things I refined were better for it.


How I approached my manuscript appraisal edit for Dynasty Codes Book One
Am I? Who knows! I can't wait to find out what's next. Stay tuned to find out more.

My thoughts on my manuscript appraisal process

It was a long time. Of course, I'd gone into it thinking I could be done in just a couple of months, but it took closer to three. But, of course, the time it takes doesn't matter, it's how I feel about the result. I really enjoyed working on the appraisal; the team gave me great feedback, it gave me the chance to add details and life and culture where I'd originally been hesitant, and I got to refine the text I did have and add some really cool scenes and develop some of the relationships that I thought may have been too much, but actually that the team said it would be good to see. So, overall, it was hard work that was fun and paid off, though I will admit I'm glad to have a bit of a brain break from it now! I'll be ready to look at it again with fresh eyes whatever happens next.


Word counts:

I thought I'd share some of the word counts I've been working to so far to show you what's been happening. I'll keep you posted on these as the publishing process continues.


  • After first rough draft: 120,000 words

  • After rewriting, revisions, adding details: a whopping 175,000 words

  • After major cutting and self-editing: 135,000 words

  • Into appraisal: 135,000 words

  • After adding more details, revisions, adding a few extra scenes: 165,000 words

  • After more major cutting and self-editing: 149,000 words

  • Back into the manuscript appraisal team: 149,000 words


Now, I'm hoping to continue working on refining it and working with the editing team to see if we can get it closer to 140,000 words.


Either way, it's really fun to see the growth of book 1 of my adult fantasy Dynasty Codes series. To see how it's evolved from the first rough draft through all my self-editing stages to actually go into the team to review was a big step. But now, with their help to guide me even further and offer even further feedback, I already love how it's growing. Nothing's better for an author than having a strong editing team behind you.


Thanks, team <3


Let's see how it goes and what comes next!


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